ART DIRECTION
-
1927/28 (1st) -
1928/29 (2nd) -
1929/30 (3rd) -
1930/31 (4th) -
1931/32 (5th) -
1932/33 (6th) -
1934 (7th) -
1935 (8th) -
1936 (9th) -
1937 (10th) -
1938 (11th) -
1939 (12th) -
1940 (13th) -
1941 (14th) -
1942 (15th) -
1943 (16th) -
1944 (17th) -
1945 (18th) -
1946 (19th) -
1947 (20th) -
1948 (21st) -
1949 (22nd) -
1950 (23rd) -
1951 (24th) -
1952 (25th) -
1953 (26th) -
1954 (27th) -
1955 (28th) -
1956 (29th) -
1957 (30th) -
1958 (31st) -
1959 (32nd) -
1960 (33rd) -
1961 (34th) -
1962 (35th) -
1963 (36th) -
1964 (37th)
ART DIRECTION
Rochus Gliese -- Sunrise
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| * | William Cameron Menzies -- The Dove; and Tempest
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Harry Oliver -- 7th Heaven
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ART DIRECTION
Hans Dreier -- The Patriot
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
|
| * | Cedric Gibbons -- The Bridge of San Luis Rey
[NOTE: The award citation reads 'for 'The Bridge of San Luis Rey' and other pictures.' THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930.]
|
Mitchell Leisen -- Dynamite
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
|
William Cameron Menzies -- Alibi; and The Awakening
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
|
Harry Oliver -- Street Angel
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
|
ART DIRECTION
Bulldog Drummond -- (William Cameron Menzies)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
|
| * | King of Jazz -- Herman Rosse
|
The Love Parade -- (Hans Dreier)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
|
Sally -- (Jack Okey)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
|
The Vagabond King -- (Hans Dreier)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
|
ART DIRECTION
| * | Cimarron -- Max Rée
|
Just Imagine -- Stephen Goosson, Ralph Hammeras
|
Morocco -- Hans Dreier
|
Svengali -- Anton Grot
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Whoopee! -- Richard Day
|
ART DIRECTION
À Nous la Liberté -- Lazare Meerson
|
Arrowsmith -- Richard Day
|
| * | Transatlantic -- Gordon Wiles
|
ART DIRECTION
| * | Cavalcade -- William S. Darling
|
A Farewell to Arms -- Hans Dreier, Roland Anderson [came in 2nd]
|
When Ladies Meet -- Cedric Gibbons [came in 3rd]
|
ART DIRECTION
The Affairs of Cellini -- Richard Day [came in 3rd]
|
The Gay Divorcee -- Van Nest Polglase, Carroll Clark [came in 2nd]
|
| * | The Merry Widow -- Cedric Gibbons, Fredric Hope
[NOTE: won by two votes]
|
ART DIRECTION
| * | The Dark Angel -- Richard Day
|
The Lives of a Bengal Lancer -- Hans Dreier, Roland Anderson [came in 3rd]
|
Top Hat -- Van Nest Polglase, Carroll Clark [came in 2nd]
|
ART DIRECTION
Anthony Adverse -- Anton Grot
|
| * | Dodsworth -- Richard Day
|
The Great Ziegfeld -- Cedric Gibbons, Eddie Imazu, Edwin B. Willis
|
Lloyds of London -- William S. Darling
|
The Magnificent Brute -- Albert S. D'Agostino, Jack Otterson
|
Romeo and Juliet -- Cedric Gibbons, Fredric Hope, Edwin B. Willis
|
Winterset -- Perry Ferguson
|
ART DIRECTION
Conquest -- Cedric Gibbons, William Horning
|
A Damsel in Distress -- Carroll Clark
|
Dead End -- Richard Day
|
Every Day's a Holiday -- Wiard Ihnen
|
The Life of Emile Zola -- Anton Grot
|
| * | Lost Horizon -- Stephen Goosson
|
Manhattan Merry-Go-Round -- John Victor Mackay
|
The Prisoner of Zenda -- Lyle Wheeler
|
Souls at Sea -- Hans Dreier, Roland Anderson
|
Walter Wanger's Vogues of 1938 -- Alexander Toluboff
|
Wee Willie Winkie -- William S. Darling, David Hall
|
You're a Sweetheart -- Jack Otterson
|
ART DIRECTION
| * | The Adventures of Robin Hood -- Carl J. Weyl
|
The Adventures of Tom Sawyer -- Lyle Wheeler
|
Alexander's Ragtime Band -- Bernard Herzbrun, Boris Leven
|
Algiers -- Alexander Toluboff
|
Carefree -- Van Nest Polglase
|
The Goldwyn Follies -- Richard Day
|
Holiday -- Stephen Goosson, Lionel Banks
|
If I Were King -- Hans Dreier, John Goodman
|
Mad about Music -- Jack Otterson
|
Marie Antoinette -- Cedric Gibbons
|
Merrily We Live -- Charles D. Hall
|
ART DIRECTION
Beau Geste -- Hans Dreier, Robert Odell
|
Captain Fury -- Charles D. Hall
|
First Love -- Jack Otterson, Martin Obzina
|
| * | Gone with the Wind -- Lyle Wheeler
|
Love Affair -- Van Nest Polglase, Al Herman
|
Man of Conquest -- John Victor Mackay
|
Mr. Smith Goes to Washington -- Lionel Banks
|
The Private Lives of Elizabeth and Essex -- Anton Grot
|
The Rains Came -- William Darling, George Dudley
|
Stagecoach -- Alexander Toluboff
|
The Wizard of Oz -- Cedric Gibbons, William A. Horning
|
Wuthering Heights -- James Basevi
|
ART DIRECTION (Black-and-White)
Arise, My Love -- Hans Dreier, Robert Usher
|
Arizona -- Lionel Banks, Robert Peterson
|
The Boys from Syracuse -- John Otterson
|
The Dark Command -- John Victor Mackay
|
Foreign Correspondent -- Alexander Golitzen
|
Lillian Russell -- Richard Day, Joseph C. Wright
|
My Favorite Wife -- Van Nest Polglase, Mark-Lee Kirk
|
My Son, My Son! -- John DuCasse Schulze
|
Our Town -- Lewis J. Rachmil
|
| * | Pride and Prejudice -- Cedric Gibbons, Paul Groesse
|
Rebecca -- Lyle Wheeler
|
The Sea Hawk -- Anton Grot
|
The Westerner -- James Basevi
|
ART DIRECTION (Color)
Bitter Sweet -- Cedric Gibbons, John S. Detlie
|
Down Argentine Way -- Richard Day, Joseph C. Wright
|
North West Mounted Police -- Hans Dreier, Roland Anderson
|
| * | The Thief of Bagdad -- Vincent Korda
|
ART DIRECTION (Black-and-White)
Citizen Kane -- Art Direction: Perry Ferguson, Van Nest Polglase; Interior Decoration: Al Fields, Darrell Silvera
|
The Flame of New Orleans -- Art Direction: Martin Obzina, Jack Otterson; Interior Decoration: Russell A. Gausman
|
Hold Back the Dawn -- Art Direction: Hans Dreier, Robert Usher; Interior Decoration: Sam Comer
|
| * | How Green Was My Valley -- Art Direction: Richard Day, Nathan Juran; Interior Decoration: Thomas Little
|
Ladies in Retirement -- Art Direction: Lionel Banks; Interior Decoration: George Montgomery
|
The Little Foxes -- Art Direction: Stephen Goosson; Interior Decoration: Howard Bristol
|
Sergeant York -- Art Direction: John Hughes; Interior Decoration: Fred MacLean
|
Sis Hopkins
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Nomination withdrawn by Republic Studios.]
|
The Son of Monte Cristo -- Art Direction: John DuCasse Schulze; Interior Decoration: Edward G. Boyle
|
Sundown -- Art Direction: Alexander Golitzen; Interior Decoration: Richard Irvine
|
That Hamilton Woman -- Art Direction: Vincent Korda; Interior Decoration: Julia Heron
|
When Ladies Meet -- Art Direction: Cedric Gibbons, Randall Duell; Interior Decoration: Edwin B. Willis
|
ART DIRECTION (Color)
Blood and Sand -- Art Direction: Richard Day, Joseph C. Wright; Interior Decoration: Thomas Little
|
| * | Blossoms in the Dust -- Art Direction: Cedric Gibbons, Urie McCleary; Interior Decoration: Edwin B. Willis
|
Louisiana Purchase -- Art Direction: Raoul Pene du Bois; Interior Decoration: Stephen A. Seymour
|
ART DIRECTION (Black-and-White)
George Washington Slept Here -- Art Direction: Max Parker, Mark-Lee Kirk; Interior Decoration: Casey Roberts
|
The Magnificent Ambersons -- Art Direction: Albert S. D'Agostino; Interior Decoration: Darrell Silvera, Al Fields
|
The Pride of the Yankees -- Art Direction: Perry Ferguson; Interior Decoration: Howard Bristol
|
Random Harvest -- Art Direction: Cedric Gibbons, Randall Duell; Interior Decoration: Edwin B. Willis, Jack Moore
|
The Shanghai Gesture -- Art Direction: Boris Leven; Interior Decoration: Boris Leven
|
Silver Queen -- Art Direction: Ralph Berger; Interior Decoration: Emile Kuri
|
The Spoilers -- Art Direction: Jack Otterson, John B. Goodman; Interior Decoration: Russell A. Gausman, Edward R. Robinson
|
Take a Letter, Darling -- Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: Sam Comer
|
The Talk of the Town -- Art Direction: Lionel Banks, Rudolph Sternad; Interior Decoration: Fay Babcock
|
| * | This above All -- Art Direction: Richard Day, Joseph Wright; Interior Decoration: Thomas Little
|
ART DIRECTION (Color)
Arabian Nights -- Art Direction: Jack Otterson, Alexander Golitzen; Interior Decoration: Russell A. Gausman, Ira S. Webb
|
Captains of the Clouds -- Art Direction: Ted Smith; Interior Decoration: Casey Roberts
|
Jungle Book -- Art Direction: Vincent Korda; Interior Decoration: Julia Heron
|
| * | My Gal Sal -- Art Direction: Richard Day, Joseph Wright; Interior Decoration: Thomas Little
|
Reap the Wild Wind -- Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: George Sawley
|
ART DIRECTION (Black-and-White)
Five Graves to Cairo -- Art Direction: Hans Dreier, Ernst Fegte; Interior Decoration: Bertram Granger
|
Flight for Freedom -- Art Direction: Albert S. D'Agostino, Carroll Clark; Interior Decoration: Darrell Silvera, Harley Miller
|
Madame Curie -- Art Direction: Cedric Gibbons, Paul Groesse; Interior Decoration: Edwin B. Willis, Hugh Hunt
|
Mission to Moscow -- Art Direction: Carl Weyl; Interior Decoration: George J. Hopkins
|
The North Star -- Art Direction: Perry Ferguson; Interior Decoration: Howard Bristol
|
| * | The Song of Bernadette -- Art Direction: James Basevi, William Darling; Interior Decoration: Thomas Little
|
ART DIRECTION (Color)
For Whom the Bell Tolls -- Art Direction: Hans Dreier, Haldane Douglas; Interior Decoration: Bertram Granger
|
The Gang's All Here -- Art Direction: James Basevi, Joseph C. Wright; Interior Decoration: Thomas Little
|
| * | Phantom of the Opera -- Art Direction: John B. Goodman, Alexander Golitzen; Interior Decoration: Russell A. Gausman, Ira S. Webb
|
This Is the Army -- Art Direction: John Hughes, Lt. John Koenig; Interior Decoration: George J. Hopkins
|
Thousands Cheer -- Art Direction: Cedric Gibbons, Daniel Cathcart; Interior Decoration: Edwin B. Willis, Jacques Mersereau
|
ART DIRECTION (Black-and-White)
Address Unknown -- Art Direction: Lionel Banks, Walter Holscher; Interior Decoration: Joseph Kish
|
The Adventures of Mark Twain -- Art Direction: John J. Hughes; Interior Decoration: Fred MacLean
|
Casanova Brown -- Art Direction: Perry Ferguson; Interior Decoration: Julia Heron
|
| * | Gaslight -- Art Direction: Cedric Gibbons, William Ferrari; Interior Decoration: Edwin B. Willis, Paul Huldschinsky
|
Laura -- Art Direction: Lyle Wheeler, Leland Fuller; Interior Decoration: Thomas Little
|
No Time for Love -- Art Direction: Hans Dreier, Robert Usher; Interior Decoration: Sam Comer
|
Since You Went Away -- Art Direction: Mark-Lee Kirk; Interior Decoration: Victor A. Gangelin
|
Song of the Open Road
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Nomination withdrawn by production company.]
|
Step Lively -- Art Direction: Albert S. D'Agostino, Carroll Clark; Interior Decoration: Darrell Silvera, Claude Carpenter
|
ART DIRECTION (Color)
The Climax -- Art Direction: John B. Goodman, Alexander Golitzen; Interior Decoration: Russell A. Gausman, Ira S. Webb
|
Cover Girl -- Art Direction: Lionel Banks, Cary Odell; Interior Decoration: Fay Babcock
|
The Desert Song -- Art Direction: Charles Novi; Interior Decoration: Jack McConaghy
|
Kismet -- Art Direction: Cedric Gibbons, Daniel B. Cathcart; Interior Decoration: Edwin B. Willis, Richard Pefferle
|
Lady in the Dark -- Art Direction: Hans Dreier, Raoul Pene du Bois; Interior Decoration: Ray Moyer
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The Princess and the Pirate -- Art Direction: Ernst Fegte; Interior Decoration: Howard Bristol
|
| * | Wilson -- Art Direction: Wiard Ihnen; Interior Decoration: Thomas Little
|
ART DIRECTION (Black-and-White)
| * | Blood on the Sun -- Art Direction: Wiard Ihnen; Interior Decoration: A. Roland Fields
|
Experiment Perilous -- Art Direction: Albert S. D'Agostino, Jack Okey; Interior Decoration: Darrell Silvera, Claude Carpenter
|
The Keys of the Kingdom -- Art Direction: James Basevi, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes
|
Love Letters -- Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: Sam Comer, Ray Moyer
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The Picture of Dorian Gray -- Art Direction: Cedric Gibbons, Hans Peters; Interior Decoration: Edwin B. Willis, Hugh Hunt, John Bonar
|
ART DIRECTION (Color)
| * | Frenchman's Creek -- Art Direction: Hans Dreier, Ernst Fegte; Interior Decoration: Sam Comer
|
Leave Her to Heaven -- Art Direction: Lyle Wheeler, Maurice Ransford; Interior Decoration: Thomas Little
|
National Velvet -- Art Direction: Cedric Gibbons, Urie McCleary; Interior Decoration: Edwin B. Willis, Mildred Griffiths
|
San Antonio -- Art Direction: Ted Smith; Interior Decoration: Jack McConaghy
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A Thousand and One Nights -- Art Direction: Stephen Goosson, Rudolph Sternad; Interior Decoration: Frank Tuttle
|
ART DIRECTION (Black-and-White)
| * | Anna and the King of Siam -- Art Direction: Lyle Wheeler, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes
|
Kitty -- Art Direction: Hans Dreier, Walter Tyler; Interior Decoration: Sam Comer, Ray Moyer
|
The Razor's Edge -- Art Direction: Richard Day, Nathan Juran; Interior Decoration: Thomas Little, Paul S. Fox
|
ART DIRECTION (Color)
Caesar and Cleopatra -- John Bryan
|
Henry V -- Art Direction: Paul Sheriff, Carmen Dillon
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| * | The Yearling -- Art Direction: Cedric Gibbons, Paul Groesse; Interior Decoration: Edwin B. Willis
|
ART DIRECTION (Black-and-White)
The Foxes of Harrow -- Art Direction: Lyle Wheeler, Maurice Ransford; Set Decoration: Thomas Little, Paul S. Fox
|
| * | Great Expectations -- Art Direction: John Bryan; Set Decoration: Wilfred Shingleton
|
ART DIRECTION (Color)
| * | Black Narcissus -- Art Direction: Alfred Junge; Set Decoration: Alfred Junge
|
Life with Father -- Art Direction: Robert M. Haas; Set Decoration: George James Hopkins
|
ART DIRECTION (Black-and-White)
| * | Hamlet -- Art Direction: Roger K. Furse; Set Decoration: Carmen Dillon
|
Johnny Belinda -- Art Direction: Robert Haas; Set Decoration: William Wallace
|
ART DIRECTION (Color)
Joan of Arc -- Art Direction: Richard Day; Set Decoration: Edwin Casey Roberts, Joseph Kish
|
| * | The Red Shoes -- Art Direction: Hein Heckroth; Set Decoration: Arthur Lawson
|
ART DIRECTION (Black-and-White)
Come to the Stable -- Art Direction: Lyle Wheeler, Joseph C. Wright; Set Decoration: Thomas Little, Paul S. Fox
|
| * | The Heiress -- Art Direction: Harry Horner, John Meehan; Set Decoration: Emile Kuri
|
Madame Bovary -- Art Direction: Cedric Gibbons, Jack Martin Smith; Set Decoration: Edwin B. Willis, Richard A. Pefferle
|
ART DIRECTION (Color)
The Adventures of Don Juan -- Art Direction: Edward Carrere; Set Decoration: Lyle Reifsnider
|
| * | Little Women -- Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Jack D. Moore
|
Saraband -- Art Direction: Jim Morahan, William Kellner, Michael Relph
|
ART DIRECTION (Black-and-White)
All about Eve -- Art Direction: Lyle Wheeler, George W. Davis; Set Decoration: Thomas Little, Walter M. Scott
|
The Red Danube -- Art Direction: Cedric Gibbons, Hans Peters; Set Decoration: Edwin B. Willis, Hugh Hunt
|
| * | Sunset Blvd. -- Art Direction: Hans Dreier, John Meehan; Set Decoration: Sam Comer, Ray Moyer
|
ART DIRECTION (Color)
Annie Get Your Gun -- Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Richard A. Pefferle
|
Destination Moon -- Art Direction: Ernst Fegte; Set Decoration: George Sawley
|
| * | Samson and Delilah -- Art Direction: Hans Dreier, Walter Tyler; Set Decoration: Sam Comer, Ray Moyer
|
ART DIRECTION (Black-and-White)
Fourteen Hours -- Art Direction: Lyle Wheeler, Leland Fuller; Set Decoration: Thomas Little, Fred J. Rode
|
House on Telegraph Hill -- Art Direction: Lyle Wheeler, John DeCuir; Set Decoration: Thomas Little, Paul S. Fox
|
La Ronde -- D'Eaubonne
|
| * | A Streetcar Named Desire -- Art Direction: Richard Day; Set Decoration: George James Hopkins
|
Too Young to Kiss -- Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Jack D. Moore
|
ART DIRECTION (Color)
| * | An American in Paris -- Art Direction: Cedric Gibbons, Preston Ames; Set Decoration: Edwin B. Willis, Keogh Gleason
|
David and Bathsheba -- Art Direction: Lyle Wheeler, George Davis; Set Decoration: Thomas Little, Paul S. Fox
|
On the Riviera -- Art Direction: Lyle Wheeler, Leland Fuller; Musical Settings: Joseph C. Wright; Set Decoration: Thomas Little, Walter M. Scott
|
Quo Vadis -- Art Direction: William A. Horning, Cedric Gibbons, Edward Carfagno; Set Decoration: Hugh Hunt
|
Tales of Hoffmann -- Hein Heckroth
|
ART DIRECTION (Black-and-White)
| * | The Bad and the Beautiful -- Art Direction: Cedric Gibbons, Edward Carfagno; Set Decoration: Edwin B. Willis, Keogh Gleason
|
Carrie -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Emile Kuri
|
My Cousin Rachel -- Art Direction: Lyle Wheeler, John DeCuir; Set Decoration: Walter M. Scott
|
Rashomon -- Art Direction: Matsuyama; Set Decoration: H. Motsumoto
|
Viva Zapata! -- Art Direction: Lyle Wheeler, Leland Fuller; Set Decoration: Thomas Little, Claude Carpenter
|
ART DIRECTION (Color)
Hans Christian Andersen -- Art Direction: Richard Day, Clave; Set Decoration: Howard Bristol
|
The Merry Widow -- Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Arthur Krams
|
| * | Moulin Rouge -- Art Direction: Paul Sheriff; Set Decoration: Marcel Vertes
|
The Quiet Man -- Art Direction: Frank Hotaling; Set Decoration: John McCarthy, Jr., Charles Thompson
|
The Snows of Kilimanjaro -- Art Direction: Lyle Wheeler, John DeCuir; Set Decoration: Thomas Little, Paul S. Fox
|
ART DIRECTION (Black-and-White)
| * | Julius Caesar -- Art Direction: Cedric Gibbons, Edward Carfagno; Set Decoration: Edwin B. Willis, Hugh Hunt
|
Martin Luther -- Art Direction: Fritz Maurischat, Paul Markwitz
|
The President's Lady -- Art Direction: Lyle Wheeler, Leland Fuller; Set Decoration: Paul S. Fox
|
Roman Holiday -- Art Direction: Hal Pereira, Walter Tyler
|
Titanic -- Art Direction: Lyle Wheeler, Maurice Ransford; Set Decoration: Stuart Reiss
|
ART DIRECTION (Color)
Knights of the Round Table -- Art Direction: Alfred Junge, Hans Peters; Set Decoration: John Jarvis
|
Lili -- Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Arthur Krams
|
| * | The Robe -- Art Direction: Lyle Wheeler, George W. Davis; Set Decoration: Walter M. Scott, Paul S. Fox
|
The Story of Three Loves -- Art Direction: Cedric Gibbons, Preston Ames, Edward Carfagno, Gabriel Scognamillo; Set Decoration: Edwin B. Willis, Keogh Gleason, Arthur Krams, Jack D. Moore
|
Young Bess -- Art Direction: Cedric Gibbons, Urie McCleary; Set Decoration: Edwin B. Willis, Jack D. Moore
|
ART DIRECTION (Black-and-White)
The Country Girl -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory
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Executive Suite -- Art Direction: Cedric Gibbons, Edward Carfagno; Set Decoration: Edwin B. Willis, Emile Kuri
|
Le Plaisir -- Max Ophuls
|
| * | On the Waterfront -- Richard Day
|
Sabrina -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Ray Moyer
|
ART DIRECTION (Color)
Brigadoon -- Art Direction: Cedric Gibbons, Preston Ames; Set Decoration: Edwin B. Willis, Keogh Gleason
|
Desiree -- Art Direction: Lyle Wheeler, Leland Fuller; Set Decoration: Walter M. Scott, Paul S. Fox
|
Red Garters -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Ray Moyer
|
A Star Is Born -- Art Direction: Malcolm Bert, Gene Allen, Irene Sharaff; Set Decoration: George James Hopkins
|
| * | 20,000 Leagues under the Sea -- Art Direction: John Meehan; Set Decoration: Emile Kuri
|
ART DIRECTION (Black-and-White)
Blackboard Jungle -- Art Direction: Cedric Gibbons, Randall Duell; Set Decoration: Edwin B. Willis, Henry Grace
|
I'll Cry Tomorrow -- Art Direction: Cedric Gibbons, Malcolm Brown; Set Decoration: Edwin B. Willis, Hugh B. Hunt
|
The Man with the Golden Arm -- Art Direction: Joseph C. Wright; Set Decoration: Darrell Silvera
|
Marty -- Art Direction: Edward S. Haworth, Walter Simonds; Set Decoration: Robert Priestley
|
| * | The Rose Tattoo -- Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Arthur Krams
|
ART DIRECTION (Color)
Daddy Long Legs -- Art Direction: Lyle Wheeler, John DeCuir; Set Decoration: Walter M. Scott, Paul S. Fox
|
Guys and Dolls -- Art Direction: Oliver Smith, Joseph C. Wright; Set Decoration: Howard Bristol
|
Love Is a Many-Splendored Thing -- Art Direction: Lyle Wheeler, George W. Davis; Set Decoration: Walter M. Scott, Jack Stubbs
|
| * | Picnic -- Art Direction: William Flannery, Jo Mielziner; Set Decoration: Robert Priestley
|
To Catch a Thief -- Art Direction: Hal Pereira, Joseph McMillan Johnson; Set Decoration: Sam Comer, Arthur Krams
|
ART DIRECTION (Black-and-White)
The Magnificent Seven -- Takashi Matsuyama
|
The Proud and Profane -- Art Direction: Hal Pereira, A. Earl Hedrick; Set Decoration: Samuel M. Comer, Frank R. McKelvy
|
The Solid Gold Cadillac -- Art Direction: Ross Bellah; Set Decoration: William R. Kiernan, Louis Diage
|
| * | Somebody Up There Likes Me -- Art Direction: Cedric Gibbons, Malcolm F. Brown; Set Decoration: Edwin B. Willis, F. Keogh Gleason
|
Teenage Rebel -- Art Direction: Lyle R. Wheeler, Jack Martin Smith; Set Decoration: Walter M. Scott, Stuart A. Reiss
|
ART DIRECTION (Color)
Around the World in 80 Days -- Art Direction: James W. Sullivan, Ken Adam; Set Decoration: Ross J. Dowd
|
Giant -- Art Direction: Boris Leven; Set Decoration: Ralph S. Hurst
|
| * | The King and I -- Art Direction: Lyle R. Wheeler, John DeCuir; Set Decoration: Walter M. Scott, Paul S. Fox
|
Lust for Life -- Art Direction: Cedric Gibbons, Hans Peters, Preston Ames; Set Decoration: Edwin B. Willis, F. Keogh Gleason
|
The Ten Commandments -- Art Direction: Hal Pereira, Walter H. Tyler, Albert Nozaki; Set Decoration: Samuel M. Comer, Ray Moyer
|
ART DIRECTION
Funny Face -- Art Direction: Hal Pereira, George W. Davis; Set Decoration: Sam Comer, Ray Moyer
|
Les Girls -- Art Direction: William A. Horning, Gene Allen; Set Decoration: Edwin B. Willis, Richard Pefferle
|
Pal Joey -- Art Direction: Walter Holscher; Set Decoration: William Kiernan, Louis Diage
|
Raintree County -- Art Direction: William A. Horning, Urie McCleary; Set Decoration: Edwin B. Willis, Hugh Hunt
|
| * | Sayonara -- Art Direction: Ted Haworth; Set Decoration: Robert Priestley
|
ART DIRECTION
Auntie Mame -- Art Direction: Malcolm Bert; Set Decoration: George James Hopkins
|
Bell, Book and Candle -- Art Direction: Cary Odell; Set Decoration: Louis Diage
|
A Certain Smile -- Art Direction: Lyle R. Wheeler, John DeCuir; Set Decoration: Walter M. Scott, Paul S. Fox
|
| * | Gigi -- Art Direction: William A. Horning, Preston Ames; Set Decoration: Henry Grace, Keogh Gleason
|
Vertigo -- Art Direction: Hal Pereira, Henry Bumstead; Set Decoration: Sam Comer, Frank McKelvy
|
ART DIRECTION (Black-and-White)
Career -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Arthur Krams
|
| * | The Diary of Anne Frank -- Art Direction: Lyle R. Wheeler, George W. Davis; Set Decoration: Walter M. Scott, Stuart A. Reiss
|
The Last Angry Man -- Art Direction: Carl Anderson; Set Decoration: William Kiernan
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Some Like It Hot -- Art Direction: Ted Haworth; Set Decoration: Edward G. Boyle
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Suddenly, Last Summer -- Art Direction: Oliver Messel, William Kellner; Set Decoration: Scot Slimon
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ART DIRECTION (Color)
| * | Ben-Hur -- Art Direction: William A. Horning, Edward Carfagno; Set Decoration: Hugh Hunt
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The Big Fisherman -- Art Direction: John DeCuir; Set Decoration: Julia Heron
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Journey to the Center of the Earth -- Art Direction: Lyle R. Wheeler, Franz Bachelin, Herman A. Blumenthal; Set Decoration: Walter M. Scott, Joseph Kish
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North by Northwest -- Art Direction: William A. Horning, Robert Boyle, Merrill Pye; Set Decoration: Henry Grace, Frank McKelvy
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Pillow Talk -- Art Direction: Richard H. Riedel; Set Decoration: Russell A. Gausman, Ruby R. Levitt
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ART DIRECTION (Black-and-White)
| * | The Apartment -- Art Direction: Alexander Trauner; Set Decoration: Edward G. Boyle
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The Facts of Life -- Art Direction: Joseph McMillan Johnson, Kenneth A. Reid; Set Decoration: Ross Dowd
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Psycho -- Art Direction: Joseph Hurley, Robert Clatworthy; Set Decoration: George Milo
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Sons and Lovers -- Art Direction: Tom Morahan; Set Decoration: Lionel Couch
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Visit to a Small Planet -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Arthur Krams
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ART DIRECTION (Color)
Cimarron -- Art Direction: George W. Davis, Addison Hehr; Set Decoration: Henry Grace, Hugh Hunt, Otto Siegel
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It Started in Naples -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Arrigo Breschi
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Pepe -- Art Direction: Ted Haworth; Set Decoration: William Kiernan
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| * | Spartacus -- Art Direction: Alexander Golitzen, Eric Orbom; Set Decoration: Russell A. Gausman, Julia Heron
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Sunrise at Campobello -- Art Direction: Edward Carrere; Set Decoration: George James Hopkins
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ART DIRECTION (Black-and-White)
The Absent Minded Professor -- Art Direction: Carroll Clark; Set Decoration: Emile Kuri, Hal Gausman
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The Children's Hour -- Art Direction: Fernando Carrere; Set Decoration: Edward G. Boyle
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| * | The Hustler -- Art Direction: Harry Horner; Set Decoration: Gene Callahan
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Judgment at Nuremberg -- Art Direction: Rudolph Sternad; Set Decoration: George Milo
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La Dolce Vita -- Piero Gherardi
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ART DIRECTION (Color)
Breakfast at Tiffany's -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Ray Moyer
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El Cid -- Art Direction: Veniero Colasanti, John Moore
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Flower Drum Song -- Art Direction: Alexander Golitzen, Joseph Wright; Set Decoration: Howard Bristol
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Summer and Smoke -- Art Direction: Hal Pereira, Walter Tyler; Set Decoration: Sam Comer, Arthur Krams
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| * | West Side Story -- Art Direction: Boris Leven; Set Decoration: Victor A. Gangelin
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ART DIRECTION (Black-and-White)
Days of Wine and Roses -- Art Direction: Joseph Wright; Set Decoration: George James Hopkins
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The Longest Day -- Art Direction: Ted Haworth, Leon Barsacq, Vincent Korda; Set Decoration: Gabriel Bechir
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Period of Adjustment -- Art Direction: George W. Davis, Edward Carfagno; Set Decoration: Henry Grace, Dick Pefferle
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The Pigeon That Took Rome -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Frank R. McKelvy
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| * | To Kill a Mockingbird -- Art Direction: Alexander Golitzen, Henry Bumstead; Set Decoration: Oliver Emert
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ART DIRECTION (Color)
| * | Lawrence of Arabia -- Art Direction: John Box, John Stoll; Set Decoration: Dario Simoni
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Meredith Willson's The Music Man -- Art Direction: Paul Groesse; Set Decoration: George James Hopkins
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Mutiny on the Bounty -- Art Direction: George W. Davis, J. McMillan Johnson; Set Decoration: Henry Grace, Hugh Hunt
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That Touch of Mink -- Art Direction: Alexander Golitzen, Robert Clatworthy; Set Decoration: George Milo
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The Wonderful World of the Brothers Grimm -- Art Direction: George W. Davis, Edward Carfagno; Set Decoration: Henry Grace, Dick Pefferle
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ART DIRECTION (Black-and-White)
| * | America America -- Gene Callahan
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Federico Fellini's 8-1/2 -- Piero Gherardi
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Hud -- Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton
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Love with the Proper Stranger -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory
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Twilight of Honor -- Art Direction: George W. Davis, Paul Groesse; Set Decoration: Henry Grace, Hugh Hunt
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ART DIRECTION (Color)
The Cardinal -- Art Direction: Lyle Wheeler; Set Decoration: Gene Callahan
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| * | Cleopatra -- Art Direction: John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox, Ray Moyer
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Come Blow Your Horn -- Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, James Payne
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How the West Was Won -- Art Direction: George W. Davis, William Ferrari, Addison Hehr; Set Decoration: Henry Grace, Don Greenwood, Jr., Jack Mills
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Tom Jones -- Art Direction: Ralph Brinton, Ted Marshall, Jocelyn Herbert; Set Decoration: Josie MacAvin
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ART DIRECTION (Black-and-White)
The Americanization of Emily -- Art Direction: George W. Davis, Hans Peters, Elliot Scott; Set Decoration: Henry Grace, Robert R. Benton
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