Up has generated a lot of Oscar buzz, partly because it was the first animated film
ever to open the Cannes Film Festival, and partly because of the way the whimsy
of the story is tempered by the yearning that can only come with loss—thus giving
it very broad appeal. On the eve of his banishment to a retirement home, 78-year-old
balloon salesman Carl Fredrickson (Edward Asner) attempts to fulfill a dream he
shared with his deceased wife: he joyfully sets his home aloft with balloons and
strikes out for South America. Then the curmudgeonly man discovers he’s got an overenthusiastic
eight-year-old boy named Russell (Jordan Nagai) as a stowaway. Hilarity ensues,
obviously, but this one’s also a tearjerker. Up has also won a Golden Globe for
Best Animated feature.
This Oprah-approved (she voices a small role) modern-day retake of the classic tale
The Frog Prince is set in New Orleans’ French Quarter and is as spicy and unique
as Cajun culture itself. When a waitress named Tiana (Anika Noni Rose) is mistaken
for a princess by a frog waiting to be turned back into Prince Naveen (Bruno Campos),
she’s turned into an amphibian, too. In order to break the evil spell cast by the
voodoo magician Dr. Facilier (Keith David), the star-crossed pair must get to the
Voodoo Queen, Mama Odie (Jenifer Lewis), who lives deep in the Bayou. In addition
to a compelling story, the film also features jazzy, Broadway-style music, which
the Academy may have trouble resisting.
This stop-motion animated film has all the winning ingredients: it’s based on the
children’s novel by the inveterate Roald Dahl, features a star-studded voice-over
cast including Meryl Streep, George Clooney, Willem Dafoe, Owen Wilson, Jason Schwartzman
and Bill Murray, and was directed by Wes Anderson (The Royal Tennenbaums). It’s
also an engaging story about a sly fox (Clooney) who tries to go straight but can’t
resist raiding the farms of a foul trio of farmers named Boggis, Bunce and Bean.
Despite the fact that the characters are animals—and animated—their movements, expressions,
insight, and humor make them more true-to-life than some human characters, which
means Fantastic Mr. Fox is not an Oscar contender to be trifled with.
The world presented in the stop-motion 3D horror-fantasy film Coraline is bizarre
and sinister—but it’s also fascinating and delightful. The film, directed by Henry
Selick (The Nightmare Before Christmas, James and the Giant Peach) is favoured to
win the Oscar largely because of its uniqueness. Dakota Fanning is Coraline, a bored
tween who stumbles upon a secret world that seems parallel to the one she already
unenthusiastically lives in—except that everything is perfect. Well, almost everything.
Coraline is soon buffeted by forces beyond her control before being pressed into
a struggle that sees her fighting to save what she didn’t think she wanted in the
first place.
The biggest surprise in the best animation category—and possibly the year—is The
Secret of Kells, a deceptively simple hand-drawn story about a boy living in ninth-century
Ireland who risks everything to help illuminate a famous biblical manuscript, the
Book of Kells, in order to help save the world from darkness, so to speak. Twelve-year-old
Brendan exists under the watchful eye of his uncle, Abbot Cellach (Brendan Gleeson),
but when he meets Brother Aidan (Mick Lally) he becomes enchanted by art and soon
goes off in search of his dream. It’s a fictionalized story, but the Book of Kells
is real (it’s housed at the Trinity College Library in Dublin), and this fact adds
interest to a tale already rife with intrigue.
By Marissa Stapley-Ponikowski