CINEMATOGRAPHY
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1927/28 (1st) -
1928/29 (2nd) -
1929/30 (3rd) -
1930/31 (4th) -
1931/32 (5th) -
1932/33 (6th) -
1934 (7th) -
1935 (8th) -
1936 (9th) -
1937 (10th) -
1938 (11th) -
1939 (12th) -
1940 (13th) -
1941 (14th) -
1942 (15th) -
1943 (16th) -
1944 (17th) -
1945 (18th) -
1946 (19th) -
1947 (20th) -
1948 (21st) -
1949 (22nd) -
1950 (23rd) -
1951 (24th) -
1952 (25th) -
1953 (26th) -
1954 (27th) -
1955 (28th) -
1956 (29th) -
1957 (30th) -
1958 (31st) -
1959 (32nd) -
1960 (33rd) -
1961 (34th) -
1962 (35th)
CINEMATOGRAPHY
George Barnes -- The Devil Dancer; The Magic Flame; and Sadie Thompson
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| * | Charles Rosher -- Sunrise
[NOTE: For this awards year, awards were presented in the name of the individual and could honor work on one or more films. Charles Rosher and Karl Struss were both honored for cinematography on this film. It is considered a single nomination for the film.]
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| * | Karl Struss -- Sunrise
[NOTE: For this awards year, awards were presented in the name of the individual and could honor work on one or more films. Charles Rosher and Karl Struss were both honored for cinematography on this film. It is considered a single nomination for the film.]
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CINEMATOGRAPHY
George Barnes -- Our Dancing Daughters
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
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| * | Clyde De Vinna -- White Shadows in the South Seas
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930.]
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Arthur Edeson -- In Old Arizona
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
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Ernest Palmer -- Four Devils; and Street Angel
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
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John Seitz -- The Divine Lady
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]
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CINEMATOGRAPHY
All Quiet on the Western Front -- (Arthur Edeson)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
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Anna Christie -- (William Daniels)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
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Hell's Angels -- (Gaetano Gaudio), (Harry Perry)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
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The Love Parade -- (Victor Milner)
[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]
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| * | With Byrd at the South Pole -- Joseph T. Rucker, Willard Van Der Veer
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CINEMATOGRAPHY
Cimarron -- Edward Cronjager
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Morocco -- Lee Garmes
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The Right to Love -- Charles Lang
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Svengali -- Barney "Chick" McGill
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| * | Tabu -- Floyd Crosby
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CINEMATOGRAPHY
Arrowsmith -- Ray June
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Dr. Jekyll and Mr. Hyde -- Karl Struss
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| * | Shanghai Express -- Lee Garmes
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CINEMATOGRAPHY
| * | A Farewell to Arms -- Charles Bryant Lang, Jr.
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Reunion in Vienna -- George J. Folsey [came in 2nd]
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The Sign of the Cross -- Karl Struss [came in 3rd]
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CINEMATOGRAPHY
The Affairs of Cellini -- Charles Rosher [came in 3rd]
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| * | Cleopatra -- Victor Milner
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Operator 13 -- George Folsey [came in 2nd]
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CINEMATOGRAPHY
Barbary Coast -- Ray June
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The Crusades -- Victor Milner [came in 3rd]
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Les Miserables -- Gregg Toland [came in 2nd]
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| * | A Midsummer Night's Dream -- Hal Mohr
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Write-in candidate.]
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CINEMATOGRAPHY
| * | Anthony Adverse -- Gaetano Gaudio
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The General Died at Dawn -- Victor Milner
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The Gorgeous Hussy -- George Folsey
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SPECIAL AWARD
| * | To W. Howard Greene and Harold Rosson for the color cinematography of the Selznick International Production, The Garden of Allah.
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CINEMATOGRAPHY
Dead End -- Gregg Toland
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| * | The Good Earth -- Karl Freund
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Wings over Honolulu -- Joseph Valentine
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SPECIAL AWARD
| * | To W. Howard Greene for the color photography of A Star Is Born. (This Award was recommended by a committee of leading cinematographers after viewing all the color pictures made during the year.)
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CINEMATOGRAPHY
Algiers -- James Wong Howe
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Army Girl -- Ernest Miller, Harry Wild
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The Buccaneer -- Victor Milner
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| * | The Great Waltz -- Joseph Ruttenberg
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Jezebel -- Ernest Haller
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Mad about Music -- Joseph Valentine
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Merrily We Live -- Norbert Brodine
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Suez -- Peverell Marley
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Vivacious Lady -- Robert de Grasse
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You Can't Take It with You -- Joseph Walker
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The Young in Heart -- Leon Shamroy
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SPECIAL AWARD
| * | To Oliver Marsh and Allen Davey for the color cinematography of the Metro-Goldwyn-Mayer production, Sweethearts.
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CINEMATOGRAPHY (Black-and-White)
First Love -- Joseph Valentine
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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The Great Victor Herbert -- Victor Milner
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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Gunga Din -- Joseph H. August
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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Intermezzo -- Gregg Toland
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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Juarez -- Tony Gaudio
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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Lady of the Tropics -- George Folsey
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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Of Mice and Men -- Norbert Brodine
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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Only Angels Have Wings -- Joseph Walker
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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The Rains Came -- Arthur Miller
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Stagecoach and Wuthering Heights) would be selected.]
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Stagecoach -- Bert Glennon
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| * | Wuthering Heights -- Gregg Toland
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CINEMATOGRAPHY (Color)
Drums along the Mohawk -- Ray Rennahan, Bert Glennon
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Gone with the Wind and The Private Lives of Elizabeth and Essex) would be selected.]
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Four Feathers -- Georges Perinal, Osmond Borradaile
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Gone with the Wind and The Private Lives of Elizabeth and Essex) would be selected.]
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| * | Gone with the Wind -- Ernest Haller, Ray Rennahan
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The Mikado -- William V. Skall, Bernard Knowles
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Gone with the Wind and The Private Lives of Elizabeth and Essex) would be selected.]
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The Private Lives of Elizabeth and Essex -- Sol Polito, W. Howard Greene
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The Wizard of Oz -- Hal Rosson
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Title was on a preliminary list of submissions/nominees from the studios from which the two official nominees (Gone with the Wind and The Private Lives of Elizabeth and Essex) would be selected.]
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CINEMATOGRAPHY (Black-and-White)
Abe Lincoln in Illinois -- James Wong Howe
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All This, and Heaven Too -- Ernest Haller
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Arise, My Love -- Charles B. Lang, Jr.
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Boom Town -- Harold Rosson
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Foreign Correspondent -- Rudolph Maté
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The Letter -- Gaetano (Tony) Gaudio
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The Long Voyage Home -- Gregg Toland
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| * | Rebecca -- George Barnes
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Spring Parade -- Joseph Valentine
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Waterloo Bridge -- Joseph Ruttenberg
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CINEMATOGRAPHY (Color)
Bitter Sweet -- Oliver T. Marsh, Allen Davey
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The Blue Bird -- Arthur Miller, Ray Rennahan
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Down Argentine Way -- Leon Shamroy, Ray Rennahan
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North West Mounted Police -- Victor Milner, W. Howard Greene
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Northwest Passage -- Sidney Wagner, William V. Skall
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| * | The Thief of Bagdad -- Georges Périnal
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CINEMATOGRAPHY (Black-and-White)
The Chocolate Soldier -- Karl Freund
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Citizen Kane -- Gregg Toland
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Dr. Jekyll and Mr. Hyde -- Joseph Ruttenberg
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Here Comes Mr. Jordan -- Joseph Walker
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Hold Back the Dawn -- Leo Tover
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| * | How Green Was My Valley -- Arthur Miller
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Sergeant York -- Sol Polito
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Sun Valley Serenade -- Edward Cronjager
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Sundown -- Charles Lang
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That Hamilton Woman -- Rudolph Maté
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CINEMATOGRAPHY (Color)
Aloma of the South Seas -- Wilfred M. Cline, Karl Struss, William Snyder
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Billy the Kid -- William V. Skall, Leonard Smith
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| * | Blood and Sand -- Ernest Palmer, Ray Rennahan
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Blossoms in the Dust -- Karl Freund, W. Howard Greene
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Dive Bomber -- Bert Glennon
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Louisiana Purchase -- Harry Hallenberger, Ray Rennahan
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CINEMATOGRAPHY (Black-and-White)
Kings Row -- James Wong Howe
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The Magnificent Ambersons -- Stanley Cortez
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| * | Mrs. Miniver -- Joseph Ruttenberg
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Moontide -- Charles Clarke
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The Pied Piper -- Edward Cronjager
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The Pride of the Yankees -- Rudolph Maté
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Take a Letter, Darling -- John Mescall
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The Talk of the Town -- Ted Tetzlaff
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Ten Gentlemen from West Point -- Leon Shamroy
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This above All -- Arthur Miller
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CINEMATOGRAPHY (Color)
Arabian Nights -- Milton Krasner, William V. Skall, W. Howard Greene
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| * | The Black Swan -- Leon Shamroy
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Captains of the Clouds -- Sol Polito
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Jungle Book -- W. Howard Greene
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Reap the Wild Wind -- Victor Milner, William V. Skall
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To the Shores of Tripoli -- Edward Cronjager, William V. Skall
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CINEMATOGRAPHY (Black-and-White)
Air Force -- James Wong Howe, Elmer Dyer, Charles Marshall
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Casablanca -- Arthur Edeson
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Corvette K-225 -- Tony Gaudio
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Five Graves to Cairo -- John Seitz
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The Human Comedy -- Harry Stradling
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Madame Curie -- Joseph Ruttenberg
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The North Star -- James Wong Howe
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Sahara -- Rudolph Maté
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So Proudly We Hail! -- Charles Lang
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| * | The Song of Bernadette -- Arthur Miller
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CINEMATOGRAPHY (Color)
For Whom the Bell Tolls -- Ray Rennahan
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Heaven Can Wait -- Edward Cronjager
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Hello, Frisco, Hello -- Charles G. Clarke, Allen Davey
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Lassie Come Home -- Leonard Smith
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| * | Phantom of the Opera -- Hal Mohr, W. Howard Greene
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Thousands Cheer -- George Folsey
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CINEMATOGRAPHY (Black-and-White)
Double Indemnity -- John Seitz
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Dragon Seed -- Sidney Wagner
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Gaslight -- Joseph Ruttenberg
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Going My Way -- Lionel Lindon
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| * | Laura -- Joseph LaShelle
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Lifeboat -- Glen MacWilliams
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Since You Went Away -- Stanley Cortez, Lee Garmes
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Thirty Seconds over Tokyo -- Robert Surtees, Harold Rosson
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The Uninvited -- Charles Lang
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The White Cliffs of Dover -- George Folsey
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CINEMATOGRAPHY (Color)
Cover Girl -- Rudolph Maté, Allen M. Davey
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Home in Indiana -- Edward Cronjager
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Kismet -- Charles Rosher
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Lady in the Dark -- Ray Rennahan
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Meet Me in St. Louis -- George Folsey
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| * | Wilson -- Leon Shamroy
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CINEMATOGRAPHY (Black-and-White)
The Keys of the Kingdom -- Arthur Miller
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The Lost Weekend -- John F. Seitz
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Mildred Pierce -- Ernest Haller
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| * | The Picture of Dorian Gray -- Harry Stradling
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Spellbound -- George Barnes
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CINEMATOGRAPHY (Color)
Anchors Aweigh -- Robert Planck, Charles Boyle
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| * | Leave Her to Heaven -- Leon Shamroy
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National Velvet -- Leonard Smith
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A Song to Remember -- Tony Gaudio, Allen M. Davey
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The Spanish Main -- George Barnes
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CINEMATOGRAPHY (Black-and-White)
| * | Anna and the King of Siam -- Arthur Miller
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The Green Years -- George Folsey
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CINEMATOGRAPHY (Color)
The Jolson Story -- Joseph Walker
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| * | The Yearling -- Charles Rosher, Leonard Smith, Arthur Arling
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CINEMATOGRAPHY (Black-and-White)
The Ghost and Mrs. Muir -- Charles Lang, Jr.
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| * | Great Expectations -- Guy Green
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Green Dolphin Street -- George Folsey
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CINEMATOGRAPHY (Color)
| * | Black Narcissus -- Jack Cardiff
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Life with Father -- Peverell Marley, William V. Skall
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Mother Wore Tights -- Harry Jackson
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CINEMATOGRAPHY (Black-and-White)
A Foreign Affair -- Charles B. Lang, Jr.
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I Remember Mama -- Nicholas Musuraca
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Johnny Belinda -- Ted McCord
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| * | The Naked City -- William Daniels
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Portrait of Jennie -- Joseph August
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CINEMATOGRAPHY (Color)
Green Grass of Wyoming -- Charles G. Clarke
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| * | Joan of Arc -- Joseph Valentine, William V. Skall, Winton Hoch
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The Loves of Carmen -- William Snyder
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The Three Musketeers -- Robert Planck
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CINEMATOGRAPHY (Black-and-White)
| * | Battleground -- Paul C. Vogel
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Champion -- Frank Planer
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Come to the Stable -- Joseph LaShelle
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The Heiress -- Leo Tover
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Prince of Foxes -- Leon Shamroy
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CINEMATOGRAPHY (Color)
The Barkleys of Broadway -- Harry Stradling
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Jolson Sings Again -- William Snyder
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Little Women -- Robert Planck, Charles Schoenbaum
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Sand -- Charles G. Clarke
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| * | She Wore a Yellow Ribbon -- Winton Hoch
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CINEMATOGRAPHY (Black-and-White)
All about Eve -- Milton Krasner
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The Asphalt Jungle -- Harold Rosson
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The Furies -- Victor Milner
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Sunset Blvd. -- John F. Seitz
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| * | The Third Man -- Robert Krasker
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CINEMATOGRAPHY (Color)
Annie Get Your Gun -- Charles Rosher
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Broken Arrow -- Ernest Palmer
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The Flame and the Arrow -- Ernest Haller
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| * | King Solomon's Mines -- Robert Surtees
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Samson and Delilah -- George Barnes
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CINEMATOGRAPHY (Black-and-White)
Death of a Salesman -- Frank Planer
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The Frogmen -- Norbert Brodine
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| * | A Place in the Sun -- William C. Mellor
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Strangers on a Train -- Robert Burks
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A Streetcar Named Desire -- Harry Stradling
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CINEMATOGRAPHY (Color)
| * | An American in Paris -- Alfred Gilks; Ballet Photography by John Alton
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David and Bathsheba -- Leon Shamroy
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Quo Vadis -- Robert Surtees, William V. Skall
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Show Boat -- Charles Rosher
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When Worlds Collide -- John F. Seitz, W. Howard Greene
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CINEMATOGRAPHY (Black-and-White)
| * | The Bad and the Beautiful -- Robert Surtees
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The Big Sky -- Russell Harlan
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My Cousin Rachel -- Joseph LaShelle
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Navajo -- Virgil E. Miller
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Sudden Fear -- Charles B. Lang, Jr.
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CINEMATOGRAPHY (Color)
Hans Christian Andersen -- Harry Stradling
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Ivanhoe -- F. A. Young
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Million Dollar Mermaid -- George J. Folsey
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| * | The Quiet Man -- Winton C. Hoch, Archie Stout
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The Snows of Kilimanjaro -- Leon Shamroy
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CINEMATOGRAPHY (Black-and-White)
The Four Poster -- Hal Mohr
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| * | From Here to Eternity -- Burnett Guffey
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Julius Caesar -- Joseph Ruttenberg
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Martin Luther -- Joseph C. Brun
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Roman Holiday -- Frank Planer, Henri Alekan
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CINEMATOGRAPHY (Color)
All the Brothers Were Valiant -- George Folsey
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Beneath the 12-Mile Reef -- Edward Cronjager
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Lili -- Robert Planck
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The Robe -- Leon Shamroy
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| * | Shane -- Loyal Griggs
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CINEMATOGRAPHY (Black-and-White)
The Country Girl -- John F. Warren
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Executive Suite -- George Folsey
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| * | On the Waterfront -- Boris Kaufman
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Rogue Cop -- John Seitz
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Sabrina -- Charles Lang, Jr.
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CINEMATOGRAPHY (Color)
The Egyptian -- Leon Shamroy
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Rear Window -- Robert Burks
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Seven Brides for Seven Brothers -- George Folsey
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The Silver Chalice -- William V. Skall
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| * | Three Coins in the Fountain -- Milton Krasner
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CINEMATOGRAPHY (Black-and-White)
Blackboard Jungle -- Russell Harlan
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I'll Cry Tomorrow -- Arthur E. Arling
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Marty -- Joseph LaShelle
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Queen Bee -- Charles Lang
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| * | The Rose Tattoo -- James Wong Howe
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CINEMATOGRAPHY (Color)
Guys and Dolls -- Harry Stradling
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Love Is a Many-Splendored Thing -- Leon Shamroy
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A Man Called Peter -- Harold Lipstein
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Oklahoma! -- Robert Surtees
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| * | To Catch a Thief -- Robert Burks
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CINEMATOGRAPHY (Black-and-White)
Baby Doll -- Boris Kaufman
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The Bad Seed -- Hal Rosson
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The Harder They Fall -- Burnett Guffey
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| * | Somebody Up There Likes Me -- Joseph Ruttenberg
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Stagecoach to Fury -- Walter Strenge
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CINEMATOGRAPHY (Color)
| * | Around the World in 80 Days -- Lionel Lindon
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The Eddy Duchin Story -- Harry Stradling
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The King and I -- Leon Shamroy
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The Ten Commandments -- Loyal Griggs
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War and Peace -- Jack Cardiff
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CINEMATOGRAPHY
An Affair to Remember -- Milton Krasner
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| * | The Bridge on the River Kwai -- Jack Hildyard
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Funny Face -- Ray June
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Peyton Place -- William Mellor
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Sayonara -- Ellsworth Fredricks
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CINEMATOGRAPHY (Black-and-White)
| * | The Defiant Ones -- Sam Leavitt
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Desire under the Elms -- Daniel L. Fapp
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I Want to Live! -- Lionel Lindon
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Separate Tables -- Charles Lang, Jr.
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The Young Lions -- Joe MacDonald
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CINEMATOGRAPHY (Color)
Auntie Mame -- Harry Stradling, Sr.
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Cat on a Hot Tin Roof -- William Daniels
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| * | Gigi -- Joseph Ruttenberg
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The Old Man and the Sea -- James Wong Howe
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South Pacific -- Leon Shamroy
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CINEMATOGRAPHY (Black-and-White)
Anatomy of a Murder -- Sam Leavitt
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Career -- Joseph LaShelle
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| * | The Diary of Anne Frank -- William C. Mellor
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Some Like It Hot -- Charles Lang, Jr.
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The Young Philadelphians -- Harry Stradling, Sr.
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CINEMATOGRAPHY (Color)
| * | Ben-Hur -- Robert L. Surtees
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The Big Fisherman -- Lee Garmes
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The Five Pennies -- Daniel L. Fapp
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The Nun's Story -- Franz Planer
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Porgy and Bess -- Leon Shamroy
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CINEMATOGRAPHY (Black-and-White)
The Apartment -- Joseph LaShelle
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The Facts of Life -- Charles B. Lang, Jr.
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Inherit the Wind -- Ernest Laszlo
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Psycho -- John L. Russell
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| * | Sons and Lovers -- Freddie Francis
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CINEMATOGRAPHY (Color)
The Alamo -- William H. Clothier
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Butterfield 8 -- Joseph Ruttenberg, Charles Harten
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Exodus -- Sam Leavitt
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Pepe -- Joe MacDonald
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| * | Spartacus -- Russell Metty
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CINEMATOGRAPHY (Black-and-White)
The Absent Minded Professor -- Edward Colman
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The Children's Hour -- Franz F. Planer
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| * | The Hustler -- Eugen Shuftan
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Judgment at Nuremberg -- Ernest Laszlo
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One, Two, Three -- Daniel L. Fapp
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CINEMATOGRAPHY (Color)
Fanny -- Jack Cardiff
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Flower Drum Song -- Russell Metty
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A Majority of One -- Harry Stradling, Sr.
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One-Eyed Jacks -- Charles Lang, Jr.
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| * | West Side Story -- Daniel L. Fapp
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CINEMATOGRAPHY (Black-and-White)
Birdman of Alcatraz -- Burnett Guffey
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| * | The Longest Day -- Jean Bourgoin, Walter Wottitz, (Henri Persin)
[NOTE: Originally, the three names of Jean Bourgoin, Henri Persin and Walter Wottitz (as listed on the Official Screen Credits form) were announced as nominees for this film in this category. The credits from the film listed four Directors of Photography (in the following order), Mr. Persin, Mr. Wottitz, Pierre Levent and Mr. Bourgoin. The program for the Awards ceremony and even the official letter from Price Waterhouse with the results of the final voting for the awards listed the three names as winners in this category. At some point, the name of Henri Persin was dropped from the nomination, as his name has been "whited-out" from the official wording for the nomination certificates, and the nominations and winners lists the Academy publishes do not include his name. The Academy's records and files give no reason for this exclusion.]
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